Behind the Blog: Design Elements

Are you having a good weekend?  We’ve had a lovely one; revelling in the afterglow of Valentine’s Day (a year’s supply of marmalade for him; an amazing vintage Imperial typewriter for me – I can’t stop stroking it..), enjoying a rare glimpse of Spring with brilliant sunshine and mild weather, baking crunchy, syrupy lemon drizzle cake (only crumbs left now, and a vague sense of remorse at our lack of self-control..), and the conversion of a cheerful little corner of Harry’s playroom into a Book Nook… but more on all of that next time.

As promised, this week I’m going to answer a few of the questions I get asked most often about how I design and style both the blog and the projects which feature on it.  Fonts, graphics, layouts; it’ll be something of a geek-peek behind the blog for those who are interested.  If you simply enjoy the projects and posts themselves (thank you!), then turn a blind eye and join me again next time, but otherwise let’s start by talking about fonts, fonts, glorious fonts….

fonts for blog 1

I love browsing for fonts on the fabulous site dafont.com.  There are a myriad of fonts available to download for free, which takes seconds.  You can also choose to donate to the author who created each, which I think is a great thing to do, and important for communities like dafont to continue to flourish and offer such loveliness (I’m like a kid in a sweet shop when I browse).

blog fonts 2

You can find all three of these fonts by simply Googling the name, and will be able to download them all for free for private use from various sites (if you’re thinking of using them for other purposes or commercially, check the licence details; the terms are often different).

blog fonts 3

The next most common question is about how I make the labels, signs, graphics and photo montages that I use, so let’s tackle that…

I do all of my graphics and montages in – wait for it – Powerpoint (I blush slightly at this revelation; I know it is seen as the slightly stale tool of jaded business execs the world over, but I love it, and more importantly, I know it intimately) … so no sexy Adobe tools and wizardry here.  And hence this post, I hasten to add, is just about what I do, rather than what other bloggers would suggest, or what might work best for you.. You can download Powerpoint in a format to suit your computer and have a month’s free trial before you have to commit to buying; worth it if you have the time and motivation to dabble a little and explore.

I work on an iMac desktop and use the in-built iPhoto software for simple photo-editing – usually cropping, and adjusting light (gloom & overcast skies being a perennial British problem), before importing photos into Powerpoint to create montages or add text.  Before I had my Mac I downloaded the free Picasa photo-editing software onto my ancient Windows laptop and used that very happily instead.  Toys and signs I’ve made for Harry like those below were all created in this way, as were the ‘font’ montages shown above.

harrys labels

For backgrounds and backdrops I tend to take photos of interesting textures, walls, surfaces and so on, and upload these for use in projects.  I also use books of art papers like these, often scanning them so I can play with them and use them repeatedly.  The one investment I did make last year which I love is in two polypaper photo backdrops from here, one of chalkboard and one of a faux wood-pannelled barn wall (see both below)… the chalkboard in particular I use all the time as it’s so versatile.  Often though, I just wander around the house following the light, and shoot against walls and on the wooden floor; it’s simple and instant.

backdrops

So, no magic; just a little bit of knowledge and a lot of experimentation and practice.  If you’re making crafty projects at home and printing out graphics, labels and the like, my final tip would be to purchase and use photo-quality matt inkjet paper (HP make some; I’m sure others do too). This gives a great intensity of colour and the closest approximation to what you actually see on the screen.  As a dabbling amateur, I find buying great paper like this is more important – and much cheaper – than buying a world-class printer.

A final word on graphics; most of my pictures and graphics are ‘homemade’, but if you’re in search of general inspiration then Pinterest is a great source; search for free printables or graphics and you’ll often find lists of resources that others have created.  One other gem, particularly for those who like vintage ephemera, is the Graphics Fairy, which has a treasure trove of free-to-download goodies.

See you in a few days for more crafting and projects; have a great week, whatever you’re doing…

Handmade Memory Books

My love of paper is well-known to anyone who has visited this site with any regularity since I began writing in January; show me a craft knife, a gluestick and a roll of interesting papers and my heart starts to race faster than if Mr Clooney swung by announcing I was his plan for the evening.  Well, maybe not quite that fast, but fast enough nonetheless…..

Where was I? Oh yes, back to far more appropriately maternal thoughts for a moment and this week’s project; a homemade scrapbook for Harry to colour in, fill out and cover randomly with photos of his choosing.  Documenting his friends, passions and a carefully curated collection of his exuberant artwork, it will capture a little piece of his life at 2, and will be a great rainy day project (and we have plenty of rain right now…).

I learned the sublime art of book-making a few months ago at the hands of the serene and wonderful artist Ciara Healy.  Ciara takes a zen approach to paper craft and despite spending her days upto her elbows in PVA glue manages to look effortlessly elegant and well-manicured, without attracting all the bits of discarded paper and ribbon that seem to adhere themselves to my entire body surface by the time I’m done.  The scrapbook or memory book I’ve made above is deliciously simple, and can be made with two sides of a cardboard box, a few large sheets of white paper, a roll of giftwrap and very little else (though you can increase the sophistication endlessly).

The pages for this book are standard size sheets simply folded in half. You can choose any starting size – I used A3 – and decide whether to leave them blank or add text as I did by running through the printer first.  I added headings to some pages ‘my favourite toys’ ‘my best friends’ etc, and left others blank.  When making grown-up books for friends I love to use old maps, diagrams, and textured papers interleaved with regular paper stock to make each book more interesting and individual; you can also add vellum envelopes for the recipient to store keepsakes.

Score and cut your cardboard so that it is 1″ longer than the folded paper at both the top and bottom and 1.5″ wider in total.  Choose some colourful strong gift wrap, wallpaper or even fabric for your cover (plastic coated fabric like tablecloth material works brilliantly for this), and a contrasting strip of book cloth or tape for your centre seam.  Decide how deep you want your seam to be, and then measure and lay out your card so that you have a gap of 0.5″ between the two covers (1).  Apply PVA glue liberally to the book cloth seam and then lay the cardboard in place, scoring down the sides for definition.  Place a sheet of greaseproof paper in the middle and fold the book shut, weighting it down to dry out (this will help flatten any bumps and prevent the cardboard from curling).  Once dry, it should look like this (2); overlay various decorative papers to decide which looks best, and work out which part of any pattern or design you want to show (particularly important with large prints or images). Carefully apply PVA to the back of each sheet of your paper and lay over the cover, overlapping your seam by a fraction.  Trim off the corners and fold under neatly, before weighting to dry out as before, at which point it should look like this (3).  By this time I had become too covered in rapidly-drying glue to take intricate photographs of each stage so have simply described them, but for the visually minded and determined, there’s an excellent online tutorial here.

Whilst your cover dries, stitch together your pages as shown here, using a strong thread that won’t snap easily, and then glue the front and back pages into your board cover, which should leave a lovely decorative border around the side whilst masking your stuck-down edges.  If the thought of sewing makes you want to weep, you can staple your pages together instead, just don’t tell anyone I suggested it…

As a final touch, you can add a closure for your book; I opted to punch small holes in Harry’s book cover and sew on two contrasting buttons, then added a ribbon to the inside back cover (secured with another piece of glued cover paper), as shown below.

Harry is rightly proud of his new book and marches around clutching it possessively in the manner of a trainee Traffic Warden looking to note down infringements.  I am attempting to follow closely behind and impound the gluestick before all important bits of household paperwork become irrevocably adhered to its pages. Wish me luck…

Neat Feet

Today Harry elected to wear his red rubber wellington boots to nursery.  Yes it is June, and they were accessorised with shorts and a t-shirt, but H is a firm believer in following one’s fashion impulses regardless of season or peer pressure. (I say peer pressure; we were greeted by an eclectic cluster of two-year olds dressed as fairies, superheroes or simply sans clothing altogether, so perhaps conventional dressing is the only taboo at Harry’s age…)

I love Harry’s feet, and always have… as a tiny baby they, like his chubby starfish hands, seemed impossibly small and in constant motion as they flexed, explored and sensed this new and strange world.  One of my favourite pictures I took in those first few blurry months was this one of H&A’s feet, which hangs in the kitchen.

Since then, Harry has developed a keen interest in footwear, albeit each new sized shoe leads to a comic day of tripping and dragging as he learns the extra clearance required for walking in longer shoes.  This morning Harry opted to try on my husband’s shoes for size; a moment I had to capture…

I’ve kept all of H’s shoes since his first slippers at a couple of months old, and often ponder what to do with them; they currently hang on nails along my office wall, waiting for inspiration.  The most recent favourites are these battered silver trainers below, now immortalised as the footwear du jour at age 2  - I did the same for him at age 1 and will keep going over time.

What were your favourite shoes as a child?  As a tomboy I lived in trainers apart from the obligatory school shoes, a notion incomprehensible to my husband as he now surveys my overflowing shoe rack and row of killer heels of a height which makes him wince. Now that my home-days are spent in sandpits and muddy fields,  I have to confess that trainers are once again enjoying a revival in my daily life, and the heels mostly just a reminder that somewhere deep inside me is a footloose glamazon in temporary hibernation…

Open for Business!

Napoleon once famously declared Britain to be ‘a nation of shopkeepers’, unfit to go to war with France (this was shortly before his defeat at Waterloo, ahem).  In the centuries since, this throwaway Gallic insult has become something of a source of national pride, with the village shop being the heart and soul of any local community and a fiercely defended institution.

Avid followers of this blog (thank you both) will know that Harry is a big fan of The Shops, unhindered as most 2yr olds are by the notion that one must pay hard cash for the magical goods contained within. His original cardboard box play shop sadly collapsed this past weekend, after months of cavalier treatment from children and grown-ups alike (what is it about very small spaces that makes adults determined to wedge themselves into them?), so I’ve been finishing a more robust version below, which we are proud to open here today for all your daily provisions.  The prices are of course outrageous, as Harry is saving up for a new fire engine; an apple will set you back about a week’s wages, but it will taste very good, I can promise you. Tips, process steps and a few close-ups of our wares below.

As with Harry’s play kitchen, I found this dresser top / hutch on ebay for around £15, and set about sanding, priming and painting it.  This involved poking the odd woodworm in the eye with a sharp stick, but otherwise was fairly painless.

I mixed up food boxes and packaging with various bits of plastic play food that we already had to produce a rather odd – let’s say eclectic – mix of produce to sell. The wooden trays are the lids of some ikea storage boxes, with home-printed labels for decoration. Stripy paper bags are filled with dried pasta, and some paper triangles glued to ribbon make for a festive bunting to mark the Grand Opening…

This bell was a junk-shop find with an astonishingly loud clang (note to self; check this next time before cheerfully purchasing…).  Harry’s cooking apron doubles as a store-owners uniform, and Japanese paper tape accessorises the shelf-fronts. Wooden drawers act as a till for cash, and fake fruit abounds wherever you look.  We are having a Dali-esque issue with scale, as you’ll see; strawberries are the size of eggs, and pears have a decidedly GM look to them, casting a shadow over smaller produce; such are the results when you acquire play food from a number of sources over a number of years…

And finally of course, our shop sign; it had to be French (sorry, Napoleon…). Now, what can we tempt you with today?

Channeling Martha with a spot of dip ‘n dye

I was lying on the sofa the other day, idly trying to choose which of the few remaining chocolate Mini Eggs to eat first; should it be the pastel pink one, or the soft purpley-blue one? (Note the deliberate use of ‘first’ here; it was clearly never going to be a trade-off).  It reminded me that Easter is just around the corner and that Martha Stewart is no doubt at this very moment engaged in vigorous preparations for her extensive annual Easter home-makeover.  I prefer a rather more minimalist approach myself, saving the creative double-barrels for Christmas, but the one thing I do love doing is dip-dyeing eggs to make a simple centrepiece, or even a colourful addition to picnics when the weather allows.

The one big drawback here in the UK is the distinct lack of white eggs, unlike in the US where white eggs are the norm.  Apparently sometime back in the 60s, the UK government announced that brown eggs are better for you, and farmers and the general public immediately switched allegiance and the white hen egg was quite literally bred out of circulation.  The health-benefits story turned out to be entirely untrue, but brown eggs are now the norm and so for this I used white duck eggs, from Prince Charles’s very own Royal farms, and thus retailing at about £10 an egg.  Alright then, £2 a box.  Even so…

1. Hard-boil your eggs, boiling rapidly for 5mins then cooling gently in the pan for 15 mins to ensure a gradual reduction of heat, preventing the shells from cracking.  In the meantime….

2. Prepare several small bowls with 1 tbsp vinegar, food colouring of your choice and enough warm water to cover the egg completely. I used plain blue and green (above), then also mixed pink and blue food colouring to create a lavender colour, and experimented with different shades and depths of colour as I went along.

3. Add the eggs in turn and check colour regularly – leave for anything from 30 seconds to 5 minutes for deep colour, before extracting with gloves or tongs. Don’t wipe the eggs but instead rest of a piece of kitchen roll or place in egg cups.  Martha’s minimum wage elves apparently build her custom-made draining boards with a grid of nails specifically calibrated for optimal egg drying, but for us mere mortals an egg cup is more than sufficient.

4. The eggs look beautiful just grouped on a tonal plate as below (this one is from Wedgwood’s Vera Wang ‘Chalk’ range and I use it constantly…), or you can experiment with speckle effects using either undiluted food colour (if you’re intending to eat the eggs) or artist’s ink or paint if not.  Be warned that using anything pink/red based could leave your kitchen looking like a scene from CSI, with extensive blood spatter pattern effects across every surface.

The good thing is, once you’ve finished displaying them (no longer than a week after cooking, and keep in the fridge in the meantime), they taste really lovely too, despite H’s obvious suspicion…

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